{"id":22804,"date":"2020-04-12T00:00:00","date_gmt":"2020-04-11T22:00:00","guid":{"rendered":"http:\/\/www.chromatique.net\/?p=22804"},"modified":"2020-10-08T21:41:58","modified_gmt":"2020-10-08T19:41:58","slug":"virgil-donati-ruination","status":"publish","type":"post","link":"https:\/\/www.chromatique.net\/index.php\/2020\/04\/12\/virgil-donati-ruination\/","title":{"rendered":"Virgil Donati &#8211; Ruination"},"content":{"rendered":"\n<p>Dans le grand monde du prog, donc au sens tr\u00e8s large du terme, l\u2019\u00e9poustouflant Virgil Donati est un des batteurs les plus encens\u00e9s. Son nouvel album arpente les terres du jazz rock, enflamm\u00e9 par une exub\u00e9rance de tous les moments. Le disque est truff\u00e9 d\u2019une multitude d\u2019invit\u00e9s, et tous s\u2019int\u00e8grent pleinement afin de contribuer \u00e0 la coh\u00e9rence de ce que l\u2019on peut de facto appr\u00e9hender comme un groupe. Leurs panaches et leurs talents \u00e9voquent les plus belles heures de Return To Forever, tout en m\u00ealant sons modernes et quelques \u00e9l\u00e9ments plus r\u00e9tros. Les guitaristes rivalisent de savoir-faire et disposent d\u2019une c\u00e9l\u00e9rit\u00e9 fluide et d\u2019une empreinte rappelant celles d&rsquo;Allan Holdsworth. Belle \u00e9loquence \u00e9galement en ce qui concerne les engins \u00e0 touches et les basses, qu\u2019elles soient fretless, la plupart du temps, ou pas. Quelques morceaux sont chant\u00e9s, d\u2019une voix sinueuse aux harmonies un peu bizarro\u00efdes, souvent employ\u00e9e comme l\u2019est un instrument. Un disque substantiel, contin\u00fbment soucieux d\u2019\u00eatre m\u00e9lodieux en d\u00e9pit d\u2019une technicit\u00e9 \u00e9m\u00e9rite.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ruination\" width=\"640\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/d_5FbaW8JD0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Dans le grand monde du prog, donc au sens tr\u00e8s large du terme, l\u2019\u00e9poustouflant Virgil&#8230;<\/p>\n","protected":false},"author":48,"featured_media":22806,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[2],"tags":[166],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts\/22804"}],"collection":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/users\/48"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/comments?post=22804"}],"version-history":[{"count":3,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts\/22804\/revisions"}],"predecessor-version":[{"id":22815,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts\/22804\/revisions\/22815"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/media\/22806"}],"wp:attachment":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/media?parent=22804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/categories?post=22804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/tags?post=22804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}