{"id":22233,"date":"2015-02-23T00:00:00","date_gmt":"2015-02-22T23:00:00","guid":{"rendered":"http:\/\/chromatique.net\/wp-content\/uploads\/2020\/04\/ca05435ca69426c1ede9316c99394f55_XL.jpg"},"modified":"2015-02-23T00:00:00","modified_gmt":"2015-02-22T22:00:00","slug":"22233","status":"publish","type":"post","link":"https:\/\/www.chromatique.net\/index.php\/2015\/02\/23\/22233\/","title":{"rendered":"– 50 nuances de prog"},"content":{"rendered":"\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n


Les albums \u00ab\u00a0Inclassables\u00a0\u00bb, les vrais, ceux qu\u2019on ne peut d\u00e9cemment confiner \u00e0 un seul genre sont r\u00e9unis ci-dessous. Cette cat\u00e9gorie n\u2019a gu\u00e8re inspir\u00e9 nos lecteurs, dont certains l\u2019ont interpr\u00e9t\u00e9e comme \u00ab\u00a0ni prog, ni jazz\u00a0\u00bb, ce qui explique la pr\u00e9sence d\u2019intrus ! Nous les y avons laiss\u00e9s, car ils m\u00e9ritent tout de m\u00eame qu\u2019on s\u2019attarde sur leurs disques. Ceux de Yom et d\u2019Ibrahim Maalouf & Oxmo Puccino, perles de cette ann\u00e9e 2014, figurent en bonne place dans ce classement, ainsi que celui de l\u2019\u00e9lectron libre Archive.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yom<\/span><\/p>\r\n<\/td>\r\n

\r\n

Le Silence de l’Exode<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Archive<\/span><\/p>\r\n<\/td>\r\n

\r\n

Axiom<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf & Oxmo Puccino<\/span><\/p>\r\n<\/td>\r\n

\r\n

Au pays d’Alice<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mermonte<\/span><\/p>\r\n<\/td>\r\n

\r\n

Audiorama<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheveu<\/span><\/p>\r\n<\/td>\r\n

\r\n

BUM<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aranis<\/span><\/p>\r\n<\/td>\r\n

\r\n

Made in Belgium II<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pandemonium Solace and Stars<\/span><\/p>\r\n<\/td>\r\n

\r\n

Laetitia Sheriff<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Manes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Be All End All<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Motorhead<\/span><\/p>\r\n<\/td>\r\n

\r\n

Aftershock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Alex Skolnick<\/span><\/p>\r\n<\/td>\r\n

\r\n

Planetary Coalition<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Merkabah<\/span><\/p>\r\n<\/td>\r\n

\r\n

Moloch<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tori Amos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Unrepentant Geraldines<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cascadeur<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ghost Surfer<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aphex Twin<\/span><\/p>\r\n<\/td>\r\n

\r\n

Syro<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Major Parkinson<\/span><\/p>\r\n<\/td>\r\n

\r\n

Twilight Cinema<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus & the Chocolate Factory with the Fungi Ensemble<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Hubert-F\u00e9lix Thi\u00e9faine<\/span><\/p>\r\n<\/td>\r\n

\r\n

Strat\u00e9gie de l’inespoir<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jack White<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazaretto<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Plant<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lullaby and… The Ceaseless Roar<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seun Kuti + Egypt 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

A Long Way To The Beginning<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Budos Band<\/span><\/p>\r\n<\/td>\r\n

\r\n

Burnt Offering<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill & Gary Lucas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Other World<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Triggerfinger<\/span><\/p>\r\n<\/td>\r\n

\r\n

By Absence of the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ben Howard<\/span><\/p>\r\n<\/td>\r\n

\r\n

I Forget Where We Were<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Shellac<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dude Incredible<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AC\/DC<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rock or Bust<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bruce Springsteen<\/span><\/p>\r\n<\/td>\r\n

\r\n

High Hopes<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brns<\/span><\/p>\r\n<\/td>\r\n

\r\n

Patine<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n

La cat\u00e9gorie \u00ab\u00a0Jazz et assimil\u00e9s\u00a0\u00bb<\/strong> consacre sans grande surprise non plus Guillaume Perret & The Electric Epic, ainsi que les valeurs s\u00fbres Hiromi, Ibrahim Maalouf et Pat Metheny. L\u00e0 aussi, les lecteurs ont vot\u00e9 pour plus d\u2019une vingtaine de disques, y compris celui de Lady Gaga !<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guillaume Perret & The Electric Epic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Open Me<\/span><\/p>\r\n<\/td>\r\n

\r\n

25<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Hiromi<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alive<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Illusions<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat Metheny Unity Group<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kin<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Thomas de Pourquery Supersonic <\/span><\/p>\r\n<\/td>\r\n

\r\n

Play Sun Ra<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Orchestre National de Jazz<\/span><\/p>\r\n<\/td>\r\n

\r\n

Europa Paris<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Badbadnotgood – III<\/span><\/p>\r\n<\/td>\r\n

\r\n

III<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mehliana – Brad Mehldau & Mark Guiliana<\/span><\/p>\r\n<\/td>\r\n

\r\n

Taming the Dragon<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Peirani & Parisien Duo Art<\/span><\/p>\r\n<\/td>\r\n

\r\n

Belle \u00e9poque<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jacques Schwarz-Bart<\/span><\/p>\r\n<\/td>\r\n

\r\n

Jazz Racine Ha\u00efti<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Snarky Puppy<\/span><\/p>\r\n<\/td>\r\n

\r\n

We Like It Here<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Zion 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

Book of Angels vol. 22<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fire! Orchestra<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enter<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tony Bennett & Lady Gaga<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheek to Cheek<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

John Zorn<\/span><\/p>\r\n<\/td>\r\n

\r\n

Psychomagia<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Emile Parisien Quartet<\/span><\/p>\r\n<\/td>\r\n

\r\n

Spezial Snack<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eric Harland<\/span><\/p>\r\n<\/td>\r\n

\r\n

Vipassana<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Eyvind Kang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alastor – Book of Angels vol. 21<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Bill Frisell<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guitar in the Space Age!<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les albums \u00ab\u00a0Inclassables\u00a0\u00bb, les vrais, ceux qu\u2019on ne peut d\u00e9cemment confiner \u00e0 un seul genre sont r\u00e9unis ci-dessous. Cette cat\u00e9gorie n\u2019a gu\u00e8re inspir\u00e9 nos lecteurs, dont certains l\u2019ont interpr\u00e9t\u00e9e comme \u00ab\u00a0ni prog, ni jazz\u00a0\u00bb, ce qui explique la pr\u00e9sence d\u2019intrus ! Nous les y avons laiss\u00e9s, car ils m\u00e9ritent tout de m\u00eame qu\u2019on s\u2019attarde sur leurs disques. Ceux de Yom et d\u2019Ibrahim Maalouf & Oxmo Puccino, perles de cette ann\u00e9e 2014, figurent en bonne place dans ce classement, ainsi que celui de l\u2019\u00e9lectron libre Archive.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yom<\/span><\/p>\r\n<\/td>\r\n

\r\n

Le Silence de l’Exode<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Archive<\/span><\/p>\r\n<\/td>\r\n

\r\n

Axiom<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf & Oxmo Puccino<\/span><\/p>\r\n<\/td>\r\n

\r\n

Au pays d’Alice<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mermonte<\/span><\/p>\r\n<\/td>\r\n

\r\n

Audiorama<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheveu<\/span><\/p>\r\n<\/td>\r\n

\r\n

BUM<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aranis<\/span><\/p>\r\n<\/td>\r\n

\r\n

Made in Belgium II<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pandemonium Solace and Stars<\/span><\/p>\r\n<\/td>\r\n

\r\n

Laetitia Sheriff<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Manes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Be All End All<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Motorhead<\/span><\/p>\r\n<\/td>\r\n

\r\n

Aftershock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Alex Skolnick<\/span><\/p>\r\n<\/td>\r\n

\r\n

Planetary Coalition<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Merkabah<\/span><\/p>\r\n<\/td>\r\n

\r\n

Moloch<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tori Amos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Unrepentant Geraldines<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cascadeur<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ghost Surfer<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aphex Twin<\/span><\/p>\r\n<\/td>\r\n

\r\n

Syro<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Major Parkinson<\/span><\/p>\r\n<\/td>\r\n

\r\n

Twilight Cinema<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus & the Chocolate Factory with the Fungi Ensemble<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Hubert-F\u00e9lix Thi\u00e9faine<\/span><\/p>\r\n<\/td>\r\n

\r\n

Strat\u00e9gie de l’inespoir<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jack White<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazaretto<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Plant<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lullaby and… The Ceaseless Roar<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seun Kuti + Egypt 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

A Long Way To The Beginning<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Budos Band<\/span><\/p>\r\n<\/td>\r\n

\r\n

Burnt Offering<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill & Gary Lucas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Other World<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Triggerfinger<\/span><\/p>\r\n<\/td>\r\n

\r\n

By Absence of the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ben Howard<\/span><\/p>\r\n<\/td>\r\n

\r\n

I Forget Where We Were<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Shellac<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dude Incredible<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AC\/DC<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rock or Bust<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bruce Springsteen<\/span><\/p>\r\n<\/td>\r\n

\r\n

High Hopes<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brns<\/span><\/p>\r\n<\/td>\r\n

\r\n

Patine<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n

\u00a0<\/p>\r\n\n

La cat\u00e9gorie \u00ab\u00a0Jazz et assimil\u00e9s\u00a0\u00bb<\/strong> consacre sans grande surprise non plus Guillaume Perret & The Electric Epic, ainsi que les valeurs s\u00fbres Hiromi, Ibrahim Maalouf et Pat Metheny. L\u00e0 aussi, les lecteurs ont vot\u00e9 pour plus d\u2019une vingtaine de disques, y compris celui de Lady Gaga !<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
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Rang<\/span><\/p>\r\n<\/td>\r\n

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Artiste<\/span><\/p>\r\n<\/td>\r\n

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Album<\/span><\/p>\r\n<\/td>\r\n

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Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n

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Guillaume Perret & The Electric Epic<\/span><\/p>\r\n<\/td>\r\n

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Open Me<\/span><\/p>\r\n<\/td>\r\n

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25<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n

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Hiromi<\/span><\/p>\r\n<\/td>\r\n

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Alive<\/span><\/p>\r\n<\/td>\r\n

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13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n

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Ibrahim Maalouf<\/span><\/p>\r\n<\/td>\r\n

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Illusions<\/span><\/p>\r\n<\/td>\r\n

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10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat Metheny Unity Group<\/span><\/p>\r\n<\/td>\r\n

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Kin<\/span><\/p>\r\n<\/td>\r\n

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10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n

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Thomas de Pourquery Supersonic <\/span><\/p>\r\n<\/td>\r\n

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Play Sun Ra<\/span><\/p>\r\n<\/td>\r\n

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6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Orchestre National de Jazz<\/span><\/p>\r\n<\/td>\r\n

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Europa Paris<\/span><\/p>\r\n<\/td>\r\n

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6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Badbadnotgood – III<\/span><\/p>\r\n<\/td>\r\n

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III<\/span><\/p>\r\n<\/td>\r\n

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6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mehliana – Brad Mehldau & Mark Guiliana<\/span><\/p>\r\n<\/td>\r\n

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Taming the Dragon<\/span><\/p>\r\n<\/td>\r\n

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6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n

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Peirani & Parisien Duo Art<\/span><\/p>\r\n<\/td>\r\n

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Belle \u00e9poque<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jacques Schwarz-Bart<\/span><\/p>\r\n<\/td>\r\n

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Jazz Racine Ha\u00efti<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Snarky Puppy<\/span><\/p>\r\n<\/td>\r\n

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We Like It Here<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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6<\/span><\/p>\r\n<\/td>\r\n

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Zion 80<\/span><\/p>\r\n<\/td>\r\n

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Book of Angels vol. 22<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

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L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fire! Orchestra<\/span><\/p>\r\n<\/td>\r\n

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Enter<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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7<\/span><\/p>\r\n<\/td>\r\n

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Tony Bennett & Lady Gaga<\/span><\/p>\r\n<\/td>\r\n

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Cheek to Cheek<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

John Zorn<\/span><\/p>\r\n<\/td>\r\n

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Psychomagia<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

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Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Emile Parisien Quartet<\/span><\/p>\r\n<\/td>\r\n

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Spezial Snack<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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8<\/span><\/p>\r\n<\/td>\r\n

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Eric Harland<\/span><\/p>\r\n<\/td>\r\n

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Vipassana<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Eyvind Kang<\/span><\/p>\r\n<\/td>\r\n

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Alastor – Book of Angels vol. 21<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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9<\/span><\/p>\r\n<\/td>\r\n

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Bill Frisell<\/span><\/p>\r\n<\/td>\r\n

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Guitar in the Space Age!<\/span><\/p>\r\n<\/td>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les albums \u00ab\u00a0Inclassables\u00a0\u00bb, les vrais, ceux qu\u2019on ne peut d\u00e9cemment confiner \u00e0 un seul genre sont r\u00e9unis ci-dessous. Cette cat\u00e9gorie n\u2019a gu\u00e8re inspir\u00e9 nos lecteurs, dont certains l\u2019ont interpr\u00e9t\u00e9e comme \u00ab\u00a0ni prog, ni jazz\u00a0\u00bb, ce qui explique la pr\u00e9sence d\u2019intrus ! Nous les y avons laiss\u00e9s, car ils m\u00e9ritent tout de m\u00eame qu\u2019on s\u2019attarde sur leurs disques. Ceux de Yom et d\u2019Ibrahim Maalouf & Oxmo Puccino, perles de cette ann\u00e9e 2014, figurent en bonne place dans ce classement, ainsi que celui de l\u2019\u00e9lectron libre Archive.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
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Rang<\/span><\/p>\r\n<\/td>\r\n

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Artiste<\/span><\/p>\r\n<\/td>\r\n

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Album<\/span><\/p>\r\n<\/td>\r\n

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Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n

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Yom<\/span><\/p>\r\n<\/td>\r\n

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Le Silence de l’Exode<\/span><\/p>\r\n<\/td>\r\n

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8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Archive<\/span><\/p>\r\n<\/td>\r\n

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Axiom<\/span><\/p>\r\n<\/td>\r\n

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8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n

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Ibrahim Maalouf & Oxmo Puccino<\/span><\/p>\r\n<\/td>\r\n

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Au pays d’Alice<\/span><\/p>\r\n<\/td>\r\n

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7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mermonte<\/span><\/p>\r\n<\/td>\r\n

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Audiorama<\/span><\/p>\r\n<\/td>\r\n

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7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n

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Cheveu<\/span><\/p>\r\n<\/td>\r\n

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BUM<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aranis<\/span><\/p>\r\n<\/td>\r\n

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Made in Belgium II<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pandemonium Solace and Stars<\/span><\/p>\r\n<\/td>\r\n

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Laetitia Sheriff<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Manes<\/span><\/p>\r\n<\/td>\r\n

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Be All End All<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


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Motorhead<\/span><\/p>\r\n<\/td>\r\n

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Aftershock<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Alex Skolnick<\/span><\/p>\r\n<\/td>\r\n

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Planetary Coalition<\/span><\/p>\r\n<\/td>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n

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Merkabah<\/span><\/p>\r\n<\/td>\r\n

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Moloch<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tori Amos<\/span><\/p>\r\n<\/td>\r\n

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Unrepentant Geraldines<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cascadeur<\/span><\/p>\r\n<\/td>\r\n

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Ghost Surfer<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


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Aphex Twin<\/span><\/p>\r\n<\/td>\r\n

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Syro<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Major Parkinson<\/span><\/p>\r\n<\/td>\r\n

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Twilight Cinema<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

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Falling Home<\/span><\/p>\r\n<\/td>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n

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Primus<\/span><\/p>\r\n<\/td>\r\n

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Primus & the Chocolate Factory with the Fungi Ensemble<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Hubert-F\u00e9lix Thi\u00e9faine<\/span><\/p>\r\n<\/td>\r\n

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Strat\u00e9gie de l’inespoir<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jack White<\/span><\/p>\r\n<\/td>\r\n

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Lazaretto<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Plant<\/span><\/p>\r\n<\/td>\r\n

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Lullaby and… The Ceaseless Roar<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

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Nostos<\/span><\/p>\r\n<\/td>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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6<\/span><\/p>\r\n<\/td>\r\n

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Seun Kuti + Egypt 80<\/span><\/p>\r\n<\/td>\r\n

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A Long Way To The Beginning<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Budos Band<\/span><\/p>\r\n<\/td>\r\n

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Burnt Offering<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill & Gary Lucas<\/span><\/p>\r\n<\/td>\r\n

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Other World<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Triggerfinger<\/span><\/p>\r\n<\/td>\r\n

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By Absence of the Sun<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ben Howard<\/span><\/p>\r\n<\/td>\r\n

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I Forget Where We Were<\/span><\/p>\r\n<\/td>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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7<\/span><\/p>\r\n<\/td>\r\n

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Shellac<\/span><\/p>\r\n<\/td>\r\n

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Dude Incredible<\/span><\/p>\r\n<\/td>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AC\/DC<\/span><\/p>\r\n<\/td>\r\n

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Rock or Bust<\/span><\/p>\r\n<\/td>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bruce Springsteen<\/span><\/p>\r\n<\/td>\r\n

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High Hopes<\/span><\/p>\r\n<\/td>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brns<\/span><\/p>\r\n<\/td>\r\n

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Patine<\/span><\/p>\r\n<\/td>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
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Rang<\/span><\/p>\r\n<\/td>\r\n

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Artiste<\/span><\/p>\r\n<\/td>\r\n

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Album<\/span><\/p>\r\n<\/td>\r\n

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Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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1<\/span><\/p>\r\n<\/td>\r\n

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Yes<\/span><\/p>\r\n<\/td>\r\n

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Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

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28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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2<\/span><\/p>\r\n<\/td>\r\n

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Anathema<\/span><\/p>\r\n<\/td>\r\n

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Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

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14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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3<\/span><\/p>\r\n<\/td>\r\n

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Opeth<\/span><\/p>\r\n<\/td>\r\n

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Pale Communion<\/span><\/p>\r\n<\/td>\r\n

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9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

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The Endless River<\/span><\/p>\r\n<\/td>\r\n

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9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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4<\/span><\/p>\r\n<\/td>\r\n

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Dream Theater<\/span><\/p>\r\n<\/td>\r\n

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Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

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8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

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5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n

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La cat\u00e9gorie \u00ab\u00a0Jazz et assimil\u00e9s\u00a0\u00bb<\/strong> consacre sans grande surprise non plus Guillaume Perret & The Electric Epic, ainsi que les valeurs s\u00fbres Hiromi, Ibrahim Maalouf et Pat Metheny. L\u00e0 aussi, les lecteurs ont vot\u00e9 pour plus d\u2019une vingtaine de disques, y compris celui de Lady Gaga !<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guillaume Perret & The Electric Epic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Open Me<\/span><\/p>\r\n<\/td>\r\n

\r\n

25<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Hiromi<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alive<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Illusions<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat Metheny Unity Group<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kin<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Thomas de Pourquery Supersonic <\/span><\/p>\r\n<\/td>\r\n

\r\n

Play Sun Ra<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Orchestre National de Jazz<\/span><\/p>\r\n<\/td>\r\n

\r\n

Europa Paris<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Badbadnotgood – III<\/span><\/p>\r\n<\/td>\r\n

\r\n

III<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mehliana – Brad Mehldau & Mark Guiliana<\/span><\/p>\r\n<\/td>\r\n

\r\n

Taming the Dragon<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Peirani & Parisien Duo Art<\/span><\/p>\r\n<\/td>\r\n

\r\n

Belle \u00e9poque<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jacques Schwarz-Bart<\/span><\/p>\r\n<\/td>\r\n

\r\n

Jazz Racine Ha\u00efti<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Snarky Puppy<\/span><\/p>\r\n<\/td>\r\n

\r\n

We Like It Here<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Zion 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

Book of Angels vol. 22<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fire! Orchestra<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enter<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tony Bennett & Lady Gaga<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheek to Cheek<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

John Zorn<\/span><\/p>\r\n<\/td>\r\n

\r\n

Psychomagia<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Emile Parisien Quartet<\/span><\/p>\r\n<\/td>\r\n

\r\n

Spezial Snack<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eric Harland<\/span><\/p>\r\n<\/td>\r\n

\r\n

Vipassana<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Eyvind Kang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alastor – Book of Angels vol. 21<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Bill Frisell<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guitar in the Space Age!<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les albums \u00ab\u00a0Inclassables\u00a0\u00bb, les vrais, ceux qu\u2019on ne peut d\u00e9cemment confiner \u00e0 un seul genre sont r\u00e9unis ci-dessous. Cette cat\u00e9gorie n\u2019a gu\u00e8re inspir\u00e9 nos lecteurs, dont certains l\u2019ont interpr\u00e9t\u00e9e comme \u00ab\u00a0ni prog, ni jazz\u00a0\u00bb, ce qui explique la pr\u00e9sence d\u2019intrus ! Nous les y avons laiss\u00e9s, car ils m\u00e9ritent tout de m\u00eame qu\u2019on s\u2019attarde sur leurs disques. Ceux de Yom et d\u2019Ibrahim Maalouf & Oxmo Puccino, perles de cette ann\u00e9e 2014, figurent en bonne place dans ce classement, ainsi que celui de l\u2019\u00e9lectron libre Archive.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yom<\/span><\/p>\r\n<\/td>\r\n

\r\n

Le Silence de l’Exode<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Archive<\/span><\/p>\r\n<\/td>\r\n

\r\n

Axiom<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf & Oxmo Puccino<\/span><\/p>\r\n<\/td>\r\n

\r\n

Au pays d’Alice<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mermonte<\/span><\/p>\r\n<\/td>\r\n

\r\n

Audiorama<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheveu<\/span><\/p>\r\n<\/td>\r\n

\r\n

BUM<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aranis<\/span><\/p>\r\n<\/td>\r\n

\r\n

Made in Belgium II<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pandemonium Solace and Stars<\/span><\/p>\r\n<\/td>\r\n

\r\n

Laetitia Sheriff<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Manes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Be All End All<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Motorhead<\/span><\/p>\r\n<\/td>\r\n

\r\n

Aftershock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Alex Skolnick<\/span><\/p>\r\n<\/td>\r\n

\r\n

Planetary Coalition<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Merkabah<\/span><\/p>\r\n<\/td>\r\n

\r\n

Moloch<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tori Amos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Unrepentant Geraldines<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cascadeur<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ghost Surfer<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aphex Twin<\/span><\/p>\r\n<\/td>\r\n

\r\n

Syro<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Major Parkinson<\/span><\/p>\r\n<\/td>\r\n

\r\n

Twilight Cinema<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus & the Chocolate Factory with the Fungi Ensemble<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Hubert-F\u00e9lix Thi\u00e9faine<\/span><\/p>\r\n<\/td>\r\n

\r\n

Strat\u00e9gie de l’inespoir<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jack White<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazaretto<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Plant<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lullaby and… The Ceaseless Roar<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seun Kuti + Egypt 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

A Long Way To The Beginning<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Budos Band<\/span><\/p>\r\n<\/td>\r\n

\r\n

Burnt Offering<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill & Gary Lucas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Other World<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Triggerfinger<\/span><\/p>\r\n<\/td>\r\n

\r\n

By Absence of the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ben Howard<\/span><\/p>\r\n<\/td>\r\n

\r\n

I Forget Where We Were<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Shellac<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dude Incredible<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AC\/DC<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rock or Bust<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bruce Springsteen<\/span><\/p>\r\n<\/td>\r\n

\r\n

High Hopes<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brns<\/span><\/p>\r\n<\/td>\r\n

\r\n

Patine<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n

Mieux vaut tard que jamais ! Le bilan annuel des lecteurs est toujours un indicateur important pour la r\u00e9daction de Chromatique \u2013 et pour tous ceux qui nous suivent aussi, on l\u2019esp\u00e8re – car m\u00eame si quelques-uns seulement y participent, cet \u00e9chantillon permet de mieux conna\u00eetre les go\u00fbts, les tendances, les attentes des Chromaticiens… et aussi d\u2019attirer l\u2019attention sur les disques parfois malencontreusement oubli\u00e9s par l\u2019\u00e9quipe !<\/strong>

Tout d\u2019abord : un grand merci \u00e0 la cinquantaine de lecteurs qui se sont donn\u00e9 la peine de voter, car Mirjlovsky Ibecksclivaks sait qu\u2019il n\u2019est pas toujours ais\u00e9 de faire le tri dans une ann\u00e9e de d\u00e9couvertes musicales et de prendre le temps d\u2019ordonner tout \u00e7a. Un constat s’impose : la difficult\u00e9 de mettre une \u00e9tiquette pr\u00e9cise sur certains artistes pr\u00e9sents dans ce classement, qui ont parfois \u00e9t\u00e9 cit\u00e9s dans plusieurs genres. Mais rien de bien \u00e9tonnant, finalement, dans le bilan d\u2019un webzine qui traite de musiques souvent inclassables. Concr\u00e8tement, nous avons retenu le principe de laisser les artistes dans la cat\u00e9gorie dans laquelle ils \u00e9taient le plus souvent cit\u00e9s. D\u2019o\u00f9 un certain nombre de \u00ab\u00a0reclassements\u00a0\u00bb, qui parfois n\u2019engagent que nous ! Par ailleurs, nous avons logiquement retir\u00e9 les disques qui n\u2019\u00e9taient pas strictement sortis en 2014.

Dans la cat\u00e9gorie \u00ab\u00a0Prog et assimil\u00e9s\u00a0\u00bb<\/strong>, si la premi\u00e8re place d\u2019Opeth n\u2019est qu\u2019une demi surprise, il est heureux de constater que trois groupes fran\u00e7ais occupent les premi\u00e8res places : Gens de la Lune, JPL et Lazuli. Le prog national est en grande forme ! Les Norv\u00e9giens de Gazpacho compl\u00e8tent ce Top 5. Pr\u00e8s de quatre-vingt-dix disques de toutes les nuances ont \u00e9t\u00e9 cit\u00e9s, ce qui tend \u00e0 d\u00e9montrer encore une fois la richesse de la sc\u00e8ne progressive. Beaucoup de tr\u00e9sors \u00e0 (re)d\u00e9couvrir, y compris des disques oubli\u00e9s par Chromatique. Voici le classement d\u00e9taill\u00e9 :<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

57<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gens de la Lune<\/span><\/p>\r\n<\/td>\r\n

\r\n

Epitaphe<\/span><\/p>\r\n<\/td>\r\n

\r\n

39<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

JPL<\/span><\/p>\r\n<\/td>\r\n

\r\n

MMXIV<\/span><\/p>\r\n<\/td>\r\n

\r\n

24<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

20<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazuli<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tant que l’herbe est grasse<\/span><\/p>\r\n<\/td>\r\n

\r\n

18<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Flying Colors<\/span><\/p>\r\n<\/td>\r\n

\r\n

Second Nature<\/span><\/p>\r\n<\/td>\r\n

\r\n

18<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pink Floyd <\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

16<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

IQ<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Road of Bones<\/span><\/p>\r\n<\/td>\r\n

\r\n

15<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Devin Townsend<\/span><\/p>\r\n<\/td>\r\n

\r\n

Z\u00b2<\/span><\/p>\r\n<\/td>\r\n

\r\n

15<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Vanden Plas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Chronicles Of The Immortals \u2013 Netherworld<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ange<\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mastodon<\/span><\/p>\r\n<\/td>\r\n

\r\n

Once More ‘Round the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n

\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

11<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

11<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

11<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Pineapple Thief<\/span><\/p>\r\n<\/td>\r\n

\r\n

Magnolia<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Lunatic Soul<\/span><\/p>\r\n<\/td>\r\n

\r\n

Walking on a flashlight beam<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

12<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dawn<\/span><\/p>\r\n<\/td>\r\n

\r\n

Darker<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Animals as leaders<\/span><\/p>\r\n<\/td>\r\n

\r\n

The joy of motion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n

\r\n

Sleepmakeswaves<\/span><\/p>\r\n<\/td>\r\n

\r\n

Love Of Cartography<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

15<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cynic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kindly Bent To Free Us<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

LogoS<\/span><\/p>\r\n<\/td>\r\n

\r\n

L’enigma della vita<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nightingale<\/span><\/p>\r\n<\/td>\r\n

\r\n

Retribution<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Foreign<\/span><\/p>\r\n<\/td>\r\n

\r\n

The symphony of the Wandering Jew Part I <\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Agusa<\/span><\/p>\r\n<\/td>\r\n

\r\n

H\u00f6gtid<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Devin Townsend<\/span><\/p>\r\n<\/td>\r\n

\r\n

Casulaties of Cool<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Regal Worm<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neither Use Nor Ornament<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Atomic Ape<\/span><\/p>\r\n<\/td>\r\n

\r\n

Swarm<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

We Insist !<\/span><\/p>\r\n<\/td>\r\n

\r\n

We Insist !<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Crippled Black Phoenix<\/span><\/p>\r\n<\/td>\r\n

\r\n

White Light Generator<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Synaesthesia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Synaesthesia<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brieg Guerveno<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ar bed kloz<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Algorithm<\/span><\/p>\r\n<\/td>\r\n

\r\n

Octopus 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

6:33 & Arno Strobl<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Stench From The Swelling (A True Story)<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat O’ May<\/span><\/p>\r\n<\/td>\r\n

\r\n

Behind the Pics<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Random<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pidanoma<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

16<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pendragon<\/span><\/p>\r\n<\/td>\r\n

\r\n

Men Who Climb Mountains<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaipa<\/span><\/p>\r\n<\/td>\r\n

\r\n

Sattyg<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

A.C.T.<\/span><\/p>\r\n<\/td>\r\n

\r\n

Circus Pandemonium<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Flower Kings<\/span><\/p>\r\n<\/td>\r\n

\r\n

Desolation Rose<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Sanctuary<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Syndone<\/span><\/p>\r\n<\/td>\r\n

\r\n

Odyss\u00e9as<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Spock’s Beard<\/span><\/p>\r\n<\/td>\r\n

\r\n

Live at the sea<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill<\/span><\/p>\r\n<\/td>\r\n

\r\n

All that might have been<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

PoiL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Brossaklit<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ishraqiyun<\/span><\/p>\r\n<\/td>\r\n

\r\n

Perichoresis<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Akroma<\/span><\/p>\r\n<\/td>\r\n

\r\n

La c\u00e8ne<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Lagartija<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amore Di Vinile<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Schnauser<\/span><\/p>\r\n<\/td>\r\n

\r\n

Protein For Everyone<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

17<\/span><\/p>\r\n<\/td>\r\n

\r\n

Magma<\/span><\/p>\r\n<\/td>\r\n

\r\n

R\u00efah Sah\u00efltaahk<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Univers Zero<\/span><\/p>\r\n<\/td>\r\n

\r\n

Phosphorescent Dreams<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Frequency Drift<\/span><\/p>\r\n<\/td>\r\n

\r\n

Over<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Messenger<\/span><\/p>\r\n<\/td>\r\n

\r\n

Illusory Blues<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Deep Purple<\/span><\/p>\r\n<\/td>\r\n

\r\n

Now What ?<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tim Bowness<\/span><\/p>\r\n<\/td>\r\n

\r\n

Abandoned Dancehall Dreams<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

North Atlantic Oscillation<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Third Day<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Evergrey<\/span><\/p>\r\n<\/td>\r\n

\r\n

Hymns for the broken<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Voyager<\/span><\/p>\r\n<\/td>\r\n

\r\n

V<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pinhas & Ambarchi<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tikkun<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Beyond The Dust<\/span><\/p>\r\n<\/td>\r\n

\r\n

Khepri<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Blackfield<\/span><\/p>\r\n<\/td>\r\n

\r\n

IV<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Haken<\/span><\/p>\r\n<\/td>\r\n

\r\n

Restoration<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Accordo Dei Contrari<\/span><\/p>\r\n<\/td>\r\n

\r\n

AdC<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

18<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rosa Luxemburg<\/span><\/p>\r\n<\/td>\r\n

\r\n

III & IV<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Dream The Electric Sleep<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heretics<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Present<\/span><\/p>\r\n<\/td>\r\n

\r\n

Triska\u00efdekaphobie (r\u00e9\u00e9dition)<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Seconds Before Landing<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seconds Before Landing II<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

David Bainbridge<\/span><\/p>\r\n<\/td>\r\n

\r\n

Celestial Fire<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Discipline<\/span><\/p>\r\n<\/td>\r\n

\r\n

This One’s For England<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fabio Zuffanti<\/span><\/p>\r\n<\/td>\r\n

\r\n

La Quarta Vittima<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Contortionist<\/span><\/p>\r\n<\/td>\r\n

\r\n

Language<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bigelf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Into The Maelstrom<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Stian Westerhus & Pale Horses<\/span><\/p>\r\n<\/td>\r\n

\r\n

Maelstrom<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Threshold<\/span><\/p>\r\n<\/td>\r\n

\r\n

For The Journey<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Soen<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tellurian<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Palefeather<\/span><\/p>\r\n<\/td>\r\n

\r\n

Palefeather<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

October Equus Quartet<\/span><\/p>\r\n<\/td>\r\n

\r\n

Isla Purgatorio<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Helium Horse Fly<\/span><\/p>\r\n<\/td>\r\n

\r\n

Helium Horse Fly<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gong<\/span><\/p>\r\n<\/td>\r\n

\r\n

I See You<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

19<\/span><\/p>\r\n<\/td>\r\n

\r\n

Millenium<\/span><\/p>\r\n<\/td>\r\n

\r\n

In Search Of The Perfect Melody<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Wax Fang<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Astronaut<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

United Progressive Fraternity<\/span><\/p>\r\n<\/td>\r\n

\r\n

Fall In Love With The World<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cosmograf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Capacitor<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Light Damage<\/span><\/p>\r\n<\/td>\r\n

\r\n

Light Damage<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Seven Impale<\/span><\/p>\r\n<\/td>\r\n

\r\n

City of The Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n

\u00a0<\/p>\r\n\n

La cat\u00e9gorie \u00ab\u00a0Jazz et assimil\u00e9s\u00a0\u00bb<\/strong> consacre sans grande surprise non plus Guillaume Perret & The Electric Epic, ainsi que les valeurs s\u00fbres Hiromi, Ibrahim Maalouf et Pat Metheny. L\u00e0 aussi, les lecteurs ont vot\u00e9 pour plus d\u2019une vingtaine de disques, y compris celui de Lady Gaga !<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guillaume Perret & The Electric Epic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Open Me<\/span><\/p>\r\n<\/td>\r\n

\r\n

25<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Hiromi<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alive<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Illusions<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat Metheny Unity Group<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kin<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Thomas de Pourquery Supersonic <\/span><\/p>\r\n<\/td>\r\n

\r\n

Play Sun Ra<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Orchestre National de Jazz<\/span><\/p>\r\n<\/td>\r\n

\r\n

Europa Paris<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Badbadnotgood – III<\/span><\/p>\r\n<\/td>\r\n

\r\n

III<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mehliana – Brad Mehldau & Mark Guiliana<\/span><\/p>\r\n<\/td>\r\n

\r\n

Taming the Dragon<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Peirani & Parisien Duo Art<\/span><\/p>\r\n<\/td>\r\n

\r\n

Belle \u00e9poque<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jacques Schwarz-Bart<\/span><\/p>\r\n<\/td>\r\n

\r\n

Jazz Racine Ha\u00efti<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Snarky Puppy<\/span><\/p>\r\n<\/td>\r\n

\r\n

We Like It Here<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Zion 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

Book of Angels vol. 22<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fire! Orchestra<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enter<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tony Bennett & Lady Gaga<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheek to Cheek<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

John Zorn<\/span><\/p>\r\n<\/td>\r\n

\r\n

Psychomagia<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Emile Parisien Quartet<\/span><\/p>\r\n<\/td>\r\n

\r\n

Spezial Snack<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eric Harland<\/span><\/p>\r\n<\/td>\r\n

\r\n

Vipassana<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Eyvind Kang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alastor – Book of Angels vol. 21<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Bill Frisell<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guitar in the Space Age!<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les albums \u00ab\u00a0Inclassables\u00a0\u00bb, les vrais, ceux qu\u2019on ne peut d\u00e9cemment confiner \u00e0 un seul genre sont r\u00e9unis ci-dessous. Cette cat\u00e9gorie n\u2019a gu\u00e8re inspir\u00e9 nos lecteurs, dont certains l\u2019ont interpr\u00e9t\u00e9e comme \u00ab\u00a0ni prog, ni jazz\u00a0\u00bb, ce qui explique la pr\u00e9sence d\u2019intrus ! Nous les y avons laiss\u00e9s, car ils m\u00e9ritent tout de m\u00eame qu\u2019on s\u2019attarde sur leurs disques. Ceux de Yom et d\u2019Ibrahim Maalouf & Oxmo Puccino, perles de cette ann\u00e9e 2014, figurent en bonne place dans ce classement, ainsi que celui de l\u2019\u00e9lectron libre Archive.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yom<\/span><\/p>\r\n<\/td>\r\n

\r\n

Le Silence de l’Exode<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Archive<\/span><\/p>\r\n<\/td>\r\n

\r\n

Axiom<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf & Oxmo Puccino<\/span><\/p>\r\n<\/td>\r\n

\r\n

Au pays d’Alice<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mermonte<\/span><\/p>\r\n<\/td>\r\n

\r\n

Audiorama<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheveu<\/span><\/p>\r\n<\/td>\r\n

\r\n

BUM<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aranis<\/span><\/p>\r\n<\/td>\r\n

\r\n

Made in Belgium II<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pandemonium Solace and Stars<\/span><\/p>\r\n<\/td>\r\n

\r\n

Laetitia Sheriff<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Manes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Be All End All<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Motorhead<\/span><\/p>\r\n<\/td>\r\n

\r\n

Aftershock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Alex Skolnick<\/span><\/p>\r\n<\/td>\r\n

\r\n

Planetary Coalition<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Merkabah<\/span><\/p>\r\n<\/td>\r\n

\r\n

Moloch<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tori Amos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Unrepentant Geraldines<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cascadeur<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ghost Surfer<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aphex Twin<\/span><\/p>\r\n<\/td>\r\n

\r\n

Syro<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Major Parkinson<\/span><\/p>\r\n<\/td>\r\n

\r\n

Twilight Cinema<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus & the Chocolate Factory with the Fungi Ensemble<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Hubert-F\u00e9lix Thi\u00e9faine<\/span><\/p>\r\n<\/td>\r\n

\r\n

Strat\u00e9gie de l’inespoir<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jack White<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazaretto<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Plant<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lullaby and… The Ceaseless Roar<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seun Kuti + Egypt 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

A Long Way To The Beginning<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Budos Band<\/span><\/p>\r\n<\/td>\r\n

\r\n

Burnt Offering<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill & Gary Lucas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Other World<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Triggerfinger<\/span><\/p>\r\n<\/td>\r\n

\r\n

By Absence of the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ben Howard<\/span><\/p>\r\n<\/td>\r\n

\r\n

I Forget Where We Were<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Shellac<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dude Incredible<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AC\/DC<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rock or Bust<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bruce Springsteen<\/span><\/p>\r\n<\/td>\r\n

\r\n

High Hopes<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brns<\/span><\/p>\r\n<\/td>\r\n

\r\n

Patine<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>\n

Mieux vaut tard que jamais ! Le bilan annuel des lecteurs est toujours un indicateur important pour la r\u00e9daction de Chromatique \u2013 et pour tous ceux qui nous suivent aussi, on l\u2019esp\u00e8re – car m\u00eame si quelques-uns seulement y participent, cet \u00e9chantillon permet de mieux conna\u00eetre les go\u00fbts, les tendances, les attentes des Chromaticiens… et aussi d\u2019attirer l\u2019attention sur les disques parfois malencontreusement oubli\u00e9s par l\u2019\u00e9quipe !<\/strong>

Tout d\u2019abord : un grand merci \u00e0 la cinquantaine de lecteurs qui se sont donn\u00e9 la peine de voter, car Mirjlovsky Ibecksclivaks sait qu\u2019il n\u2019est pas toujours ais\u00e9 de faire le tri dans une ann\u00e9e de d\u00e9couvertes musicales et de prendre le temps d\u2019ordonner tout \u00e7a. Un constat s’impose : la difficult\u00e9 de mettre une \u00e9tiquette pr\u00e9cise sur certains artistes pr\u00e9sents dans ce classement, qui ont parfois \u00e9t\u00e9 cit\u00e9s dans plusieurs genres. Mais rien de bien \u00e9tonnant, finalement, dans le bilan d\u2019un webzine qui traite de musiques souvent inclassables. Concr\u00e8tement, nous avons retenu le principe de laisser les artistes dans la cat\u00e9gorie dans laquelle ils \u00e9taient le plus souvent cit\u00e9s. D\u2019o\u00f9 un certain nombre de \u00ab\u00a0reclassements\u00a0\u00bb, qui parfois n\u2019engagent que nous ! Par ailleurs, nous avons logiquement retir\u00e9 les disques qui n\u2019\u00e9taient pas strictement sortis en 2014.

Dans la cat\u00e9gorie \u00ab\u00a0Prog et assimil\u00e9s\u00a0\u00bb<\/strong>, si la premi\u00e8re place d\u2019Opeth n\u2019est qu\u2019une demi surprise, il est heureux de constater que trois groupes fran\u00e7ais occupent les premi\u00e8res places : Gens de la Lune, JPL et Lazuli. Le prog national est en grande forme ! Les Norv\u00e9giens de Gazpacho compl\u00e8tent ce Top 5. Pr\u00e8s de quatre-vingt-dix disques de toutes les nuances ont \u00e9t\u00e9 cit\u00e9s, ce qui tend \u00e0 d\u00e9montrer encore une fois la richesse de la sc\u00e8ne progressive. Beaucoup de tr\u00e9sors \u00e0 (re)d\u00e9couvrir, y compris des disques oubli\u00e9s par Chromatique. Voici le classement d\u00e9taill\u00e9 :<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

57<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gens de la Lune<\/span><\/p>\r\n<\/td>\r\n

\r\n

Epitaphe<\/span><\/p>\r\n<\/td>\r\n

\r\n

39<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

JPL<\/span><\/p>\r\n<\/td>\r\n

\r\n

MMXIV<\/span><\/p>\r\n<\/td>\r\n

\r\n

24<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

20<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazuli<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tant que l’herbe est grasse<\/span><\/p>\r\n<\/td>\r\n

\r\n

18<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Flying Colors<\/span><\/p>\r\n<\/td>\r\n

\r\n

Second Nature<\/span><\/p>\r\n<\/td>\r\n

\r\n

18<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pink Floyd <\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

16<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

IQ<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Road of Bones<\/span><\/p>\r\n<\/td>\r\n

\r\n

15<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Devin Townsend<\/span><\/p>\r\n<\/td>\r\n

\r\n

Z\u00b2<\/span><\/p>\r\n<\/td>\r\n

\r\n

15<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Vanden Plas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Chronicles Of The Immortals \u2013 Netherworld<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ange<\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mastodon<\/span><\/p>\r\n<\/td>\r\n

\r\n

Once More ‘Round the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n

\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

11<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

11<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

11<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Pineapple Thief<\/span><\/p>\r\n<\/td>\r\n

\r\n

Magnolia<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Lunatic Soul<\/span><\/p>\r\n<\/td>\r\n

\r\n

Walking on a flashlight beam<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

12<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dawn<\/span><\/p>\r\n<\/td>\r\n

\r\n

Darker<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Animals as leaders<\/span><\/p>\r\n<\/td>\r\n

\r\n

The joy of motion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n

\r\n

Sleepmakeswaves<\/span><\/p>\r\n<\/td>\r\n

\r\n

Love Of Cartography<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

15<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cynic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kindly Bent To Free Us<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

LogoS<\/span><\/p>\r\n<\/td>\r\n

\r\n

L’enigma della vita<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nightingale<\/span><\/p>\r\n<\/td>\r\n

\r\n

Retribution<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Foreign<\/span><\/p>\r\n<\/td>\r\n

\r\n

The symphony of the Wandering Jew Part I <\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Agusa<\/span><\/p>\r\n<\/td>\r\n

\r\n

H\u00f6gtid<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Devin Townsend<\/span><\/p>\r\n<\/td>\r\n

\r\n

Casulaties of Cool<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Regal Worm<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neither Use Nor Ornament<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Atomic Ape<\/span><\/p>\r\n<\/td>\r\n

\r\n

Swarm<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

We Insist !<\/span><\/p>\r\n<\/td>\r\n

\r\n

We Insist !<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Crippled Black Phoenix<\/span><\/p>\r\n<\/td>\r\n

\r\n

White Light Generator<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Synaesthesia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Synaesthesia<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brieg Guerveno<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ar bed kloz<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Algorithm<\/span><\/p>\r\n<\/td>\r\n

\r\n

Octopus 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

6:33 & Arno Strobl<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Stench From The Swelling (A True Story)<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat O’ May<\/span><\/p>\r\n<\/td>\r\n

\r\n

Behind the Pics<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Random<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pidanoma<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

16<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pendragon<\/span><\/p>\r\n<\/td>\r\n

\r\n

Men Who Climb Mountains<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaipa<\/span><\/p>\r\n<\/td>\r\n

\r\n

Sattyg<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

A.C.T.<\/span><\/p>\r\n<\/td>\r\n

\r\n

Circus Pandemonium<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Flower Kings<\/span><\/p>\r\n<\/td>\r\n

\r\n

Desolation Rose<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Sanctuary<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Syndone<\/span><\/p>\r\n<\/td>\r\n

\r\n

Odyss\u00e9as<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Spock’s Beard<\/span><\/p>\r\n<\/td>\r\n

\r\n

Live at the sea<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill<\/span><\/p>\r\n<\/td>\r\n

\r\n

All that might have been<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

PoiL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Brossaklit<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ishraqiyun<\/span><\/p>\r\n<\/td>\r\n

\r\n

Perichoresis<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Akroma<\/span><\/p>\r\n<\/td>\r\n

\r\n

La c\u00e8ne<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Lagartija<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amore Di Vinile<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Schnauser<\/span><\/p>\r\n<\/td>\r\n

\r\n

Protein For Everyone<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

17<\/span><\/p>\r\n<\/td>\r\n

\r\n

Magma<\/span><\/p>\r\n<\/td>\r\n

\r\n

R\u00efah Sah\u00efltaahk<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Univers Zero<\/span><\/p>\r\n<\/td>\r\n

\r\n

Phosphorescent Dreams<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Frequency Drift<\/span><\/p>\r\n<\/td>\r\n

\r\n

Over<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Messenger<\/span><\/p>\r\n<\/td>\r\n

\r\n

Illusory Blues<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Deep Purple<\/span><\/p>\r\n<\/td>\r\n

\r\n

Now What ?<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tim Bowness<\/span><\/p>\r\n<\/td>\r\n

\r\n

Abandoned Dancehall Dreams<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

North Atlantic Oscillation<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Third Day<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Evergrey<\/span><\/p>\r\n<\/td>\r\n

\r\n

Hymns for the broken<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Voyager<\/span><\/p>\r\n<\/td>\r\n

\r\n

V<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pinhas & Ambarchi<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tikkun<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Beyond The Dust<\/span><\/p>\r\n<\/td>\r\n

\r\n

Khepri<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Blackfield<\/span><\/p>\r\n<\/td>\r\n

\r\n

IV<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Haken<\/span><\/p>\r\n<\/td>\r\n

\r\n

Restoration<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Accordo Dei Contrari<\/span><\/p>\r\n<\/td>\r\n

\r\n

AdC<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

18<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rosa Luxemburg<\/span><\/p>\r\n<\/td>\r\n

\r\n

III & IV<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Dream The Electric Sleep<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heretics<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Present<\/span><\/p>\r\n<\/td>\r\n

\r\n

Triska\u00efdekaphobie (r\u00e9\u00e9dition)<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Seconds Before Landing<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seconds Before Landing II<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

David Bainbridge<\/span><\/p>\r\n<\/td>\r\n

\r\n

Celestial Fire<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Discipline<\/span><\/p>\r\n<\/td>\r\n

\r\n

This One’s For England<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fabio Zuffanti<\/span><\/p>\r\n<\/td>\r\n

\r\n

La Quarta Vittima<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Contortionist<\/span><\/p>\r\n<\/td>\r\n

\r\n

Language<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bigelf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Into The Maelstrom<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Stian Westerhus & Pale Horses<\/span><\/p>\r\n<\/td>\r\n

\r\n

Maelstrom<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Threshold<\/span><\/p>\r\n<\/td>\r\n

\r\n

For The Journey<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Soen<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tellurian<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Palefeather<\/span><\/p>\r\n<\/td>\r\n

\r\n

Palefeather<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

October Equus Quartet<\/span><\/p>\r\n<\/td>\r\n

\r\n

Isla Purgatorio<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Helium Horse Fly<\/span><\/p>\r\n<\/td>\r\n

\r\n

Helium Horse Fly<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gong<\/span><\/p>\r\n<\/td>\r\n

\r\n

I See You<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

19<\/span><\/p>\r\n<\/td>\r\n

\r\n

Millenium<\/span><\/p>\r\n<\/td>\r\n

\r\n

In Search Of The Perfect Melody<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Wax Fang<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Astronaut<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

United Progressive Fraternity<\/span><\/p>\r\n<\/td>\r\n

\r\n

Fall In Love With The World<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cosmograf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Capacitor<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Light Damage<\/span><\/p>\r\n<\/td>\r\n

\r\n

Light Damage<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Seven Impale<\/span><\/p>\r\n<\/td>\r\n

\r\n

City of The Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n

\u00a0<\/p>\r\n\n

La cat\u00e9gorie \u00ab\u00a0Jazz et assimil\u00e9s\u00a0\u00bb<\/strong> consacre sans grande surprise non plus Guillaume Perret & The Electric Epic, ainsi que les valeurs s\u00fbres Hiromi, Ibrahim Maalouf et Pat Metheny. L\u00e0 aussi, les lecteurs ont vot\u00e9 pour plus d\u2019une vingtaine de disques, y compris celui de Lady Gaga !<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guillaume Perret & The Electric Epic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Open Me<\/span><\/p>\r\n<\/td>\r\n

\r\n

25<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Hiromi<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alive<\/span><\/p>\r\n<\/td>\r\n

\r\n

13<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf<\/span><\/p>\r\n<\/td>\r\n

\r\n

Illusions<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pat Metheny Unity Group<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kin<\/span><\/p>\r\n<\/td>\r\n

\r\n

10<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Thomas de Pourquery Supersonic <\/span><\/p>\r\n<\/td>\r\n

\r\n

Play Sun Ra<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Orchestre National de Jazz<\/span><\/p>\r\n<\/td>\r\n

\r\n

Europa Paris<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Badbadnotgood – III<\/span><\/p>\r\n<\/td>\r\n

\r\n

III<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mehliana – Brad Mehldau & Mark Guiliana<\/span><\/p>\r\n<\/td>\r\n

\r\n

Taming the Dragon<\/span><\/p>\r\n<\/td>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Peirani & Parisien Duo Art<\/span><\/p>\r\n<\/td>\r\n

\r\n

Belle \u00e9poque<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jacques Schwarz-Bart<\/span><\/p>\r\n<\/td>\r\n

\r\n

Jazz Racine Ha\u00efti<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Snarky Puppy<\/span><\/p>\r\n<\/td>\r\n

\r\n

We Like It Here<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Zion 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

Book of Angels vol. 22<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

L’Hij\u00e2z’Car<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Fire! Orchestra<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enter<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Tony Bennett & Lady Gaga<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheek to Cheek<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

John Zorn<\/span><\/p>\r\n<\/td>\r\n

\r\n

Psychomagia<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

Charlie Haden and Jim Hall<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Emile Parisien Quartet<\/span><\/p>\r\n<\/td>\r\n

\r\n

Spezial Snack<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eric Harland<\/span><\/p>\r\n<\/td>\r\n

\r\n

Vipassana<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Eyvind Kang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alastor – Book of Angels vol. 21<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Bill Frisell<\/span><\/p>\r\n<\/td>\r\n

\r\n

Guitar in the Space Age!<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les albums \u00ab\u00a0Inclassables\u00a0\u00bb, les vrais, ceux qu\u2019on ne peut d\u00e9cemment confiner \u00e0 un seul genre sont r\u00e9unis ci-dessous. Cette cat\u00e9gorie n\u2019a gu\u00e8re inspir\u00e9 nos lecteurs, dont certains l\u2019ont interpr\u00e9t\u00e9e comme \u00ab\u00a0ni prog, ni jazz\u00a0\u00bb, ce qui explique la pr\u00e9sence d\u2019intrus ! Nous les y avons laiss\u00e9s, car ils m\u00e9ritent tout de m\u00eame qu\u2019on s\u2019attarde sur leurs disques. Ceux de Yom et d\u2019Ibrahim Maalouf & Oxmo Puccino, perles de cette ann\u00e9e 2014, figurent en bonne place dans ce classement, ainsi que celui de l\u2019\u00e9lectron libre Archive.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yom<\/span><\/p>\r\n<\/td>\r\n

\r\n

Le Silence de l’Exode<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Archive<\/span><\/p>\r\n<\/td>\r\n

\r\n

Axiom<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ibrahim Maalouf & Oxmo Puccino<\/span><\/p>\r\n<\/td>\r\n

\r\n

Au pays d’Alice<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Mermonte<\/span><\/p>\r\n<\/td>\r\n

\r\n

Audiorama<\/span><\/p>\r\n<\/td>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Cheveu<\/span><\/p>\r\n<\/td>\r\n

\r\n

BUM<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aranis<\/span><\/p>\r\n<\/td>\r\n

\r\n

Made in Belgium II<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pandemonium Solace and Stars<\/span><\/p>\r\n<\/td>\r\n

\r\n

Laetitia Sheriff<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Manes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Be All End All<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Motorhead<\/span><\/p>\r\n<\/td>\r\n

\r\n

Aftershock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Alex Skolnick<\/span><\/p>\r\n<\/td>\r\n

\r\n

Planetary Coalition<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Merkabah<\/span><\/p>\r\n<\/td>\r\n

\r\n

Moloch<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Tori Amos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Unrepentant Geraldines<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Cascadeur<\/span><\/p>\r\n<\/td>\r\n

\r\n

Ghost Surfer<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Aphex Twin<\/span><\/p>\r\n<\/td>\r\n

\r\n

Syro<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Major Parkinson<\/span><\/p>\r\n<\/td>\r\n

\r\n

Twilight Cinema<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus<\/span><\/p>\r\n<\/td>\r\n

\r\n

Primus & the Chocolate Factory with the Fungi Ensemble<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Hubert-F\u00e9lix Thi\u00e9faine<\/span><\/p>\r\n<\/td>\r\n

\r\n

Strat\u00e9gie de l’inespoir<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Jack White<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lazaretto<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Plant<\/span><\/p>\r\n<\/td>\r\n

\r\n

Lullaby and… The Ceaseless Roar<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

Nostos<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

Seun Kuti + Egypt 80<\/span><\/p>\r\n<\/td>\r\n

\r\n

A Long Way To The Beginning<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

The Budos Band<\/span><\/p>\r\n<\/td>\r\n

\r\n

Burnt Offering<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Peter Hammill & Gary Lucas<\/span><\/p>\r\n<\/td>\r\n

\r\n

Other World<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Triggerfinger<\/span><\/p>\r\n<\/td>\r\n

\r\n

By Absence of the Sun<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ben Howard<\/span><\/p>\r\n<\/td>\r\n

\r\n

I Forget Where We Were<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Shellac<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dude Incredible<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AC\/DC<\/span><\/p>\r\n<\/td>\r\n

\r\n

Rock or Bust<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bruce Springsteen<\/span><\/p>\r\n<\/td>\r\n

\r\n

High Hopes<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Brns<\/span><\/p>\r\n<\/td>\r\n

\r\n

Patine<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n

\u00a0<\/p>\r\n\n


Au rang des \u00ab\u00a0flops\u00a0\u00bb<\/strong>, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven & Earth<\/em>, suivi, d\u2019assez loin il faut le reconna\u00eetre, par les disques Anathema, Opeth, Pink Floyd et Dream Theater. Ce sont toujours les plus attendus qui d\u00e9\u00e7oivent\u2026 Tous les autres groupes cit\u00e9s ne l\u2019ont \u00e9t\u00e9 qu\u2019une fois.<\/p>\r\n\r\n<\/col><\/col><\/col><\/col><\/colgroup> \r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n
\r\n

Rang<\/span><\/p>\r\n<\/td>\r\n

\r\n

Artiste<\/span><\/p>\r\n<\/td>\r\n

\r\n

Album<\/span><\/p>\r\n<\/td>\r\n

\r\n

Score<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n

\r\n

Yes<\/span><\/p>\r\n<\/td>\r\n

\r\n

Heaven & Earth<\/span><\/p>\r\n<\/td>\r\n

\r\n

28<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n

\r\n

Anathema<\/span><\/p>\r\n<\/td>\r\n

\r\n

Distant Satellites<\/span><\/p>\r\n<\/td>\r\n

\r\n

14<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n

\r\n

Opeth<\/span><\/p>\r\n<\/td>\r\n

\r\n

Pale Communion<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pink Floyd<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Endless River<\/span><\/p>\r\n<\/td>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n

\r\n

Dream Theater<\/span><\/p>\r\n<\/td>\r\n

\r\n

Breaking The Fourth Wall<\/span><\/p>\r\n<\/td>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n

\r\n

Neal Morse<\/span><\/p>\r\n<\/td>\r\n

\r\n

Songs from November<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pain of Salvation<\/span><\/p>\r\n<\/td>\r\n

\r\n

Falling Home<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Transatlantic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Kaleidoscope<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Bong<\/span><\/p>\r\n<\/td>\r\n

\r\n

Stoner Rock<\/span><\/p>\r\n<\/td>\r\n

\r\n

5<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

6<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Obscurants<\/span><\/p>\r\n<\/td>\r\n

\r\n

Alternative 4<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Yagya<\/span><\/p>\r\n<\/td>\r\n

\r\n

Will I Dream During The Process? (Deepchord Redesigns)<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Gazpacho<\/span><\/p>\r\n<\/td>\r\n

\r\n

Demon<\/span><\/p>\r\n<\/td>\r\n

\r\n

4<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

7<\/span><\/p>\r\n<\/td>\r\n

\r\n

Asia<\/span><\/p>\r\n<\/td>\r\n

\r\n

Gravitas<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Ange <\/span><\/p>\r\n<\/td>\r\n

\r\n

Emile Jacotey Resurrection<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Kaukasus<\/span><\/p>\r\n<\/td>\r\n

\r\n

I<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Druskh<\/span><\/p>\r\n<\/td>\r\n

\r\n

Eastern Frontier In Flames<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Asia featuring John Payne<\/span><\/p>\r\n<\/td>\r\n

\r\n

Recollections<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Robert Reed<\/span><\/p>\r\n<\/td>\r\n

\r\n

Willow’s Song<\/span><\/p>\r\n<\/td>\r\n

\r\n

3<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

8<\/span><\/p>\r\n<\/td>\r\n

\r\n

Enchant<\/span><\/p>\r\n<\/td>\r\n

\r\n

The Great Divide<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

Pan Sonic<\/span><\/p>\r\n<\/td>\r\n

\r\n

Oksastus<\/span><\/p>\r\n<\/td>\r\n

\r\n

2<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n

\r\n

9<\/span><\/p>\r\n<\/td>\r\n

\r\n

Amplifier<\/span><\/p>\r\n<\/td>\r\n

\r\n

Mystoria<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

AstroPilot<\/span><\/p>\r\n<\/td>\r\n

\r\n

Iriy<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n


<\/td>\r\n		\r\n

RPWL<\/span><\/p>\r\n<\/td>\r\n

\r\n

Wanted<\/span><\/p>\r\n<\/td>\r\n

\r\n

1<\/span><\/p>\r\n<\/td>\r\n<\/tr>\r\n<\/tbody>\r\n<\/table>\r\n\n


Les DVD<\/strong> n\u2019ont pas \u00e9t\u00e9 une denr\u00e9e tr\u00e8s consomm\u00e9e par les r\u00e9pondants. Notons tout de m\u00eame ceux qui ont \u00e9t\u00e9 cit\u00e9s : Transatlantic \u2013 Kaliveoscope<\/em> (2 fois), Steve Hackett \u2013 Genesis Revisited, Live At The Hammersmith<\/em>, Dream Theater – Breaking The Fourth Wall – Live From The Boston Opera House<\/em>, Peter Gabriel – Back To Front \u2013 Live In London<\/em>, Devin Townsend – Retinal Circus<\/em>, Jack Dupon – Les Ronfleurs Dorment<\/em>.

Enfin, voici les concerts<\/strong>, tous diff\u00e9rents ou presque, qui ont marqu\u00e9 les lecteurs. Lorsque le lieu du concert a \u00e9t\u00e9 fourni, nous l\u2019avons pr\u00e9cis\u00e9 entre parenth\u00e8ses. Opeth (Bataclan), Behemoth (Hellfest) et Flying Colors ont \u00e9t\u00e9 cit\u00e9s deux fois. Pour le reste, p\u00eale-m\u00eale : Festival L\u00e9vitation (Angers), Jolly (Klub), Ange, Marillion (Lille), Tori Amos (Paris), Tigran Hamasyan, Ibrahim Maalouf (Festival Jazz des 5 continents, Marseille), Peter Gabriel (Strasbourg), Gong et Magma (S\u00e9lestat), Vanden Plas (Glazart), We Insist !, Three Friends, Dream Theater (Z\u00e9nith de Paris). Chromatique est repr\u00e9sent\u00e9 aux quatre coins de France !

En guise de conclusion, l\u2019\u00e9quipe tient \u00e0 remercier ses lecteurs, bien \u00e9videmment, et en particulier ceux qui ont pris de leur temps pour remplir le formulaire. Nous adressons des remerciements tout particuliers aux participants qui ont laiss\u00e9 un petit mot d\u2019encouragement ou de soutien. Cela ne co\u00fbte rien et fait plaisir \u00e0 ceux qui le lisent ! Rendez-vous \u00e0 la fin de l\u2019ann\u00e9e pour un nouveau bilan qui, au vu des disques d\u00e9j\u00e0 sortis et de ceux qui se profilent, s\u2019annonce une fois encore passionnant. Et entre-temps, n\u2019h\u00e9sitez pas \u00e0 poster vos commentaires ci-dessous ou sur notre page Facebook <\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Au rang des \u00ab\u00a0flops\u00a0\u00bb, on trouve \u00e9videmment Yes en t\u00eate avec son pataud Heaven &…<\/p>\n","protected":false},"author":31,"featured_media":22234,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts\/22233"}],"collection":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/users\/31"}],"replies":[{"embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/comments?post=22233"}],"version-history":[{"count":0,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/posts\/22233\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/media\/22234"}],"wp:attachment":[{"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/media?parent=22233"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/categories?post=22233"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.chromatique.net\/index.php\/wp-json\/wp\/v2\/tags?post=22233"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}